I’ll start by quoting an anonymous author (n.d.):
“music is what feelings sound like”.
Architecture
and music have always been linked. Many authors have stated this relationship
between architecture and music, such as Oscar Wilde and Schelling, but I would
like to highlight the case of Goethe (1836), who, in a conversation with Eckermann
said: “Architecture
is "frozen music"… Really there is something in this; the tone of
mind produced by architecture approaches the effect of music.”
This
is why architecture for music has something special, something that makes music
stop in time and architecture flow like a harmonious liquid, ending up in a
whole which includes all the beauty of both arts.
I
think the best known case is the Sydney Opera House, by Jørn Utzon. Although he
didn’t do the interior, the exterior is a beautiful metaphor of the sailboats
which cross the bay of Sydney, made of a concrete structure, covered by bright
white and cream tiles.
The
Casa da Música in Porto, by O.M.A., is another example of great architecture
for music. It is a building built in concrete made of a mixture of Portuguese
Portland cement and blue sandstone. The interior has a wide range of textures
and colors. The different rooms want to transmit different sensations,
depending on the colors, the music and the way they are furnished. The main
concert room is made of wood coated in gold leaf, remembering the Baroque art.
There
are many other examples of poetic architecture for music. But not only music
and architecture, the conjunction of the arts make beautiful creations. A case
of this is Le Corbusier, being an architect, painter, sculptor, designer, urbanist and writer, he wrote
the Poem of the Right Angle (1947-1953), where he “conceived
the creation and intervention of the
artist in the world as a unique
act in which architecture and
art had a deep
involvement” (Minerva, 2006).
~Nina
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Listening to: Nocturne Op.9 No.2 by Chopin